On the first Friday in November each year, the Library hosts the Welsh Political Archive Annual Lecture. First held in 1987, the lecture attracts attention from academics, politicians and the media and is designed to raise the profile of political archives at the National Library of Wales.
Promoting the use of our archival collections is a key part of our work, but we also have another important audience; those who create the archival material in the first place. The Welsh Political Archive was established in 1983 to provide a focus for political archives in the Library, and to establish links with both the users and producers of those archives. These include not only individual politicians such as Assembly Members, Members or Parliament and Members of the European Parliament, but political parties, formal groups with a significant political element, as well as pressure groups and less formal campaigning organisations. The lecture, and the advisory committee which meets once a year and is made up of academics, journalists and representatives of political and civic society, help the Library to reach these audiences.
Many well-known figures in Welsh public life have given the annual lecture, and this year the task fell to Lord Bourne of Aberystwyth (http://www.parliament.uk/biographies/lords/lord-bourne-of-aberystwyth/4282). Lord Bourne had a distinguished academic and business career before being elected to the National Assembly for Wales, and subsequently serving as leader of the Conservative and Leader of the Opposition in the Assembly. He now sits in the House of Lords.
Lord Bourne took on a challenging and controversial topic for his lecture; the case for an entrenched written constitution for the United Kingdom, arguing that it could serve as a “users’ manual” for the people of the UK as well as codifying fundamental rights and clarifying the relationships between the UK Parliament, the European Union and devolved legislatures.
Lord Bourne’s lecture was reported by ITV News (http://www.itv.com/news/wales/update/2014-11-07/top-torys-written-constitution-call/) and Click on Wales (http://www.clickonwales.org/2014/11/a-written-entrenched-constitution-for-the-united-kingdom-all-of-it-and-parts-of-it/) and provoked a lively debate in the Drwm. Along with lectures from previous years, you can download a copy of Lord Bourne’s call for a written constitution from the Welsh Political archive pages (http://www.llgc.org.uk/collections/learn-more/archives/welsh-political-archive/welsh-political-archive-annual-lecture/).
Thinking about researching your family tree? How about looking into the history of your home or community? Perhaps you have just started a course and need help with a project. Whatever it might be why not start exploring your archive today?
The Explore Your Archive campaign started on 10 November with the aim of encouraging people to discover the stories, the facts, the places and the people that are at the heart of communities.
Events will be held all over Wales, as archivists, record managers and conservators delve into Welsh archives where the records of people’s life, their communities and businesses are collected, kept safe and made accessible.
Archives across the UK and Ireland are taking part, to emphasise the value of archives to society and to highlight the rich variety of content that is held, preserved and made available to users.
For more information please visit:
Exciting news! As part of the Library’s Dylan Thomas Centenary celebrations, the Library – with financial assistance from DT100 and Scottish Power Foundation – have commissioned national children’s theatre company Arad Goch to perform a special theatrical production in the Library to Secondary Schools.
The performance will be based on a series of Dylan Thomas’ poems and short stories dealing with adolescence, drawing inspiration from ‘The Hunchback in the Park’ especially. You can watch a short animated film of the poem created by the BBC here.
The Tormenting of the Hunchback © Jeff Philips
The performance will be held in the ‘Dylan’ exhibition in the Gregynog Gallery between 10th and 14th November.
The exhibition will remain open as usual to the public; although visitors are advised there may be some disruption in the gallery during this period, specifically audio/visual exhibits. The company will also be rehearsing in the space on Friday 7th November, however the gallery will still remain open during this time.
If you are planning a visit to the exhibition between these dates and would like further information regarding the timings of the performances (whether to avoid or catch a glimpse of!), please contact the Library.
During the 1868 election, a number of Cardiganshire farmers decided not to vote in accordance with the wishes of their Tory landlords. My great great grandfather, Benjamin Jones, who lived on the Llanfair estate, was one of those farmers. A secret ballot was not possible and a visitor called at the farm with an eviction order for Benjamin.
Dafydd Jones from the neighbouring estate of Alltyrodyn also received an eviction order, despite the fact that he and his wife had lost four of their children. The family decided that their only hope was to emigrate to America, with the disastrous consequence that Dafydd lost his entire family.
One who was familiar with this family’s tragedy, and who had been present in the service held to say farewell to them before they emigrated, was a young Unitarian minister called William Thomas (Gwilym Marles), the great-uncle of the poet Dylan Thomas.
Since establishing himself as a schoolmaster and minister of Llwynrhydowen and Bwlchyfadfa chapels, he threw himself passionately into the work of reforming the injustices of the day, despite the vengeance that would most certainly follow. He discussed the political oppression by means of pulpit and stage and also challenged the faults of the education system. He campaigned for a School Board in the School Board Election of 1871 and fought in vain to save Sarah Jacob (“The Fasting Girl”) from the superstition that led to her death at the age of 12. His health suffered greatly.
“Gwilym Marles and the Lock Out, Llwynrhydowen Chapel, 1876″
Copyright: Jacqueline Chadwick. All rights reserved.
One Saturday evening in 1876, a letter arrived from the representative of the Alltyrodyn squire, banning Gwilym Marles and his congregation from Llwynrhydowen Chapel. Gwilym Marles could not be silenced, however, and the next day he delivered an electrifying speech in front of a huge crowd outside the chapel’s locked gate. In the cemetary, beyond the locks, lay the congregation’s loved ones but the same congregation refused the squire’s offer to have the ban lifted if they appointed another minister. A week after the “Lock Out”, their minister was addressing the press.
Suddenly and unexpectedly, Gwilym Marles received an invitation to meet the squire, John Davies Lloyd, at his mansion. A revolver lay on the table before him. He confessed that he had already killed a man in California, and that he would kill again if necessary. He seemed worried by groundless fears and imagined that Gwilym Marles had threatened him with the eternal fire of hell, to which the latter replied that Unitarians did not believe in such a thing for anybody.
Gwilym Marles said that he was often told that the cause of all his troubles was that he talked too plainly and that he attacked oppression too relentlessly. He replied: “I’ll keep sinning till the end”. Money was raised to build a new chapel (the “Memorial Chapel”) and when the foundation stone was being laid in June 1878, Gwilym Marles said, “The opponent can take away the candlestick, it belongs to him, but no one can move the candle. It is God’s candle”.
The young squire died and Gwilym Marles wrote of feeling inexpressible sadness at his death. The squire’s sister, Mrs. Massey, promptly returned the old Llwynrhydowen chapel to the congregation. On the day it was reopened, on July 24, 1879, Mr. and Mrs. Massey’s coach was pulled there by hundreds of people with ropes, all the way from Llandysul station, and among this crowd was my grandfather. (He never tired of telling the story to my father!). Gwilym Marles passed slowly by in a carriage, too ill to stop, but unable to stay away.
Grave of Gwilym Marles (1834-1879), Memorial Chapel, Llwynrhydowen
Copyright: Heini Davies
He did not see the opening of the beautiful new chapel the following October, but died in December, and was laid to rest in front of the chapel by his fellow Unitarians.
One of Gwilym Marles’s ardent pleas was, “Read!”. More historical details about the above story may be found in the works of authors such as D. Jacob Davies, Nansi Martin, M. Wynn Thomas and Kate Crockett. The next time you visit the Library to do some reading, why not also visit the Dylan Thomas exhibition? The exhibition lasts until 20 December 2014.
Today we celebrate Dylan Thomas’ hundredth birthday. I wonder what kind of gifts he would’ve received today… an iPad? An Amazon gift voucher? Or maybe a personalized beer glass?
On his twenty-third birthday, Dylan bought himself cigarettes, beer and a bright green shirt with the birthday money sent to him from his friend Keidrych Rhys. It’s quite probable that he had a birthday pint or two to celebrate his thirty-fifth birthday, but it was quite a different gift that Dylan decided to give to himself on that occasion – the poem ‘Poem on His Birthday’.
Dylan Thomas, ‘Poem on His Birthday’, © David Higham Associates
Dylan Thomas, Rhestr o eiriau ‘Poem on His Birthday’ Word List © David Higham Associates
So how about celebrating Dylan’s birthday today by visiting the exhibition here in the Library, where you can listen to the man himself reading the poem at the Poets’ Pub. Or take a look at the website where you can read excerpts of the poem in Dylan’s own handwriting?
However you choose to celebrate, join us by using #DylanThomas
The LENS Festival of Documentary Photography is now ten, yes ten, years old. Established with the aim of publicising the National Collection of Welsh Photographs here at the Library it has become a popular and well attended event.
Preparation for any LENS Festival starts with 51 weeks to go. First there is an inquest into the previous LENS, what could be improved and consideration of suggestions from the floor. After all LENS belongs to those who attend it.
Next comes the juicy bit. Choosing speakers for each LENS event is akin to being a child in a sweet shop – lots of choice, some old favourites, some new delights to be discovered. At least photography doesn’t ruin your teeth.
Our Friday night slot is traditionally devoted to the more artistic side of photography. This year we look forward to hearing from James O. Jenkins.
Saturday will showcase four presentations, each speaker free to interpret the chosen theme as they wish. Neil Turner has photographed extensively in the Middle East and will be relating aspects of his travels to us. Amanda Jackson has recently been photographing those who have chosen to walk a different and more sustainable path, notably in North Pembrokeshire. Tina Carr and Annmarie Schone have worked together for over 25 years and are well represented here in the National Collection of Welsh Photographs having photographed extensively in Wales. Their projects have included Pigs & Ingots, Coalfaces and Abandoned.
Tina Carr and Annemarie Schöne
Homer Sykes came to prominence with his book ‘Once A Year’ published in 1977. Numerous other works followed including ‘The Village Pub’ (a personal favourite) in 1992. He continues to be fascinated by the quirkier side of life in Britain.
In previous years requests have been made for more information about storing digital photographs. This year our own Ifor Ap Dafydd will be speaking about digital preservation, in particular digital photographs.
The National Library of Wales is pleased to confirm the purchase of another album of photographs by John Dillwyn Llewellyn at a recent auction in New York.
Wales is famed as a land of sheep but we were delighted to hear recently that the ARCW Digital Preservation Group’s ‘COWs in the Cloud’ project has made it onto the short list for the prestigious Digital Preservation Coalition’s Annual Awards. We’ve all got digital files that are important to us – whether they are family pictures, business documents or emails – and the COW, or Community of the Willing has been an Archives Records Council Wales collaborative project, bringing together universities, archives, and record offices across Wales to help find ways of working together towards saving our nations’ digital heritage, if it ends up in the National Library of Wales, your local archive, or stored in the Cloud. We would also like to congratulate students and colleagues at Aberystwyth University, for making the shortlist in their respective categories too.
Ifor ap Dafydd, MabLab Project
In a few days the Library will be welcoming a GLAMorous set of archivists for a conference on ‘Collaborative Approaches in Literary Archives’.
GLAM is the Group for Literary Archives and Manuscripts (glam-archives.org.uk) established in 2005 to bring together archivists, librarians, curators, writers and researchers with an interest in the collecting, preservation, use and promotion of literary archives and manuscripts in Britain and Ireland. Their visit coincides with the Dylan Thomas exhibition at the National Library which can be seen until 20 December 2014.
Dylan Thomas Exhibition
The Dylan Thomas exhibition at the Library (with online version at http://dylan.llgc.org.uk/) is a prime example of the interest and activity that can be created around the papers of a poet and writer. Also the Library’s collaboration with the David Jones Society and the David Jones Centre at Aberystwyth University will be discussed.
The holdings of the Library of literary archives in Welsh and English is comprehensive, and includes the papers of Edward Thomas, David Jones, John Cowper Powys as well as Kate Roberts and Islwyn Ffowc Elis. Visit our web pages on Modern Literary Archives for more information:
‘Sali Mali’ Mary Vaughan Jones, 1969. © Cymdeithas Lyfrau Ceredigion
There are two other exhibitions currently at the Library which bring attention to our literary holdings. The first, ‘Words and Pictures Women in Welsh Children’s Literature’ includes original manuscripts, personal letters, reviews and artwork based on the literature of Winnie Parry, Mary Vaughan Jones (author of Sali Mali) and others. The second on ‘ Valleys Writers’ celebrates the life and literature of four Welsh valleys writers, Jack Jones, Rhys Davies, Glyn Jones and Idris Davies.
Nia Mai Daniel
After traveling to Wales in January and spending five months at the Dylan Thomas Centre in Swansea, Dylan’s Notebooks have returned to the Library, and to the ‘Dylan Comes Home’ exhibition.
This exhibition includes the four poetry Notebooks Dylan compiled during his teenage years between 1930 and 1934. He sold them to Buffalo University in the 1940s for a small sum of money, and this is their first trip back to Wales since that fateful day.
With the famous Notebooks are letters written between the poet and Pamela Hansford Johnson, which shed light on his writing process, as well as manuscripts for the poem ‘Ballad of the Long-Legged Bait’.
Dylan Thomas, Llyfr Nodiadau 1932 Notebook
© David Higham Associates
Dylan Thomas, Hunan Bortread / Self Portrait
© David Higham Associates
Dylan Thomas, Llyfr Nodiadau 1930 Notebook
© David Higham Associates
The ‘Dylan’ exhibition in the Gregynog Gallery will also be having a revamp, with new items from the Library’s collection going on display. More letters that have never before been published will displayed, including one from Dylan to his mistress in America, Elizabeth Reitell. Manuscripts for some of Dylan’s famous poems will also be out on show in the Poets’ Pub, including ‘A Refusal to Mourn the Death, by Fire, of a Child in London’ and ‘Into Her Lying Down Head’.
If you’ve already visited the exhibition,do call by again to view Dylan’s Notebooks and the new material on show in the Gallery from 13th September. We look forward to seeing you!
‘..the heaven of my hut’
A replica of Dylan Thomas’ famous writing shed is at the Library from Thursday 28th August to Saturday 30th August 2014.
The shed – complete with curled pictures on the walls, boiled sweets on the desk and the poet’s jacket still hanging on the back of his chair – is on tour as part of Dylan Thomas 100, the year-long festival commemorating the centenary of the great Welsh writer’s birth.
The original shed sits above the Boathouse in the scenic seaside town of Laugharne, Carmarthenshire, where Thomas penned some of his most famous works including Do Not Go Gentle into That Good Night and his play for voices Under Milk Wood. The replica will be situated at the front of the main entrance of the Library building overlooking the beautiful views of Cardigan Bay.
In the shed there will be an opportunity to invent your own ‘Dylan-esque’ new word, which will then be added to the ‘Dictionary for Dylan’. Why not complete your visit by visiting the Library, home to the largest ever exhibition of the poet’s rare original items.
Geoff Charles, Sied Ysgrifennu, Dylan Thomas Writing Shed ©LLGC / NLW
The shed was documented by photographer Geoff Charles in 1955. These images – which are in the Library’s collection – are believed to be the last pictures of the poet’s workspace as it was before his death.
The writing shed has free admission and will be open daily from 9am – 5pm from Thursday 28th August to Saturday 30th August 2014.
In partnership with Carmarthenshire County Council.
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